From the New Republic's Jed Perl:
The stuff that Dalí did from the 1940s until his death in 1989 is god awful, but there is a sicko integrity about its awfulness. The deviousness of Dalí’s vision is something to behold. Although the emotions that Dalí stirs up are fraudulent—a marketing director’s version of Sturm und Drang—the paintings are not hackwork. They exude a strangely fermented intellectuality. You cannot deny the authority of these lunatic creations.
And that's the positive part of the review. Read on...
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